Melodyne Zebra 123scan2. is a software application for OS X or Windows with which you can edit audio in a more musical way than was ever thought possible. In Melodyne, you work with notes – and not with a meaningless wave form. You don’t just see where the music gets louder or quieter but also where notes begin and end and at what pitch they lie.
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You can modify each note and thereby influence directly the intonation, phrasing and dynamics – and do this not only with vocals and monophonic instruments but with polyphonic instruments such as pianos and guitars as well.
Working with Melodyne is like being able to say to a vocalist “sing this note a bit longer” or to a pianist “give slightly less weight to the third in this chord” – hours, weeks, even years after the recording session.
Melodyne 4 studio
The complete Melodyne. Melodyne 4 studio offers you all Melodyne functions for both correction and creative applications on an unlimited number of tracks. You can edit the sound and musical content of your recordings in such an intuitive manner or make such far-reaching changes with no other audio tool.
New technologies and a new degree of freedom for the entire Melodyne family. Celemony is releasing Version 4 of its legendary audio software Melodyne. This constitutes the most extensive update to the entire product family in the company’s history, with the emphasis on Melodyne 4 studio.
Highlights include the Sound Editor with its totally new sound design possibilities, DNA Direct Note Access – at last, on an unlimited number of tracks – and ultra-accurate tempo detection. Furthermore, Melodyne 4 studio now also runs directly as a plug-in within your DAW – also, naturally, in 64-bit resolution. The smaller Melodyne editions – editor, assistant and essential – have also been enhanced.
New in Version 4.2
You can open tracks without transfers: Just load Melodyne as an insert effect, start playback, and the entire track will appear automatically in Melodyne. There is no further need for transfers.
Melodyne follows all changes you make to the track: Melodyne compares itself with the audio track and accurately replicates any lengthening, shortening or movement of regions.
Real copies and ghost copies of regions: When regions are copied, looped or cloned, the Melodyne content behaves accordingly as a real copy or as a ghost copy (loop).
Region-based mixing: Regions edited with Melodyne now support all the Mix functions of the region inspector in Logic: gain, mute and fades.
You can use Melodyne as early as the comping stage: Now you can edit takes with Melodyne before committing yourself to a choice between them, which allows you a more realistic assessment of their respective merits, leading to better results.
The management of transfer files is a thing of the past: Thanks to ARA, it is no longer necessary to worry about transfer files when archiving or sharing projects.
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On February 12, 2012, we have been honored by the Recording Academy as the first German software manufacturer with a Technical Grammy. The highest award in the music business is given in recognition of “contributions of outstanding technical significance to the recording field” and is equivalent to an Oscar in the film industry. “This is an honor none of us ever expected. I believe our company is the smallest ever to have received a Technical Grammy. And perhaps also the strangest,” commented Melodyne inventor Peter Neubäcker.
The first of the Special Merit Awards to be presented went to the Munich software house Celemony. Host and Grammy manager James McKinney opened with the legendary question posed long ago by Melodyne inventor Peter Neubäcker: “What does a stone sound like?” A truly philosophical approach to the world of sound technology, far away from the purely technical thought-processes that typically prevail in the industry, and yet it is for precisely that reason Celemony was chosen to receive this year’s Technical Grammy. After all, Celemony has blazed open a radically new avenue of access to musical editing that for ten years now has made it impossible to imagine music production without it.
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In his acceptance speech, Peter Neubäcker alluded to his philosophical and mathematical background, explained his own, singular vision of music, and described the beginnings and the spirit of the company. He also thanked the Recording Academy, the Celemony team, the company’s many friends and, of course, all the users of the software Melodyne. “We are very proud as a small Munich software house to be granted such a notable international recognition for our work,” said Neubäcker, receiving the award together with his three partners in Los Angeles.